
course
information
the students will prepare a portfolio of artwork. the focus
of the course is this portfolio which students submit for evaluation
by the examiners. the students must develop self-discipline, personal
insight, critical judgment, and technical skill-all necessary for
the preparation of this portfolio. the process, or the aesthetic
journey (research and working throught problems) is as important
as the final destination (i.e. the final exam show). quality education
for a better world
general
information
ib visual arts, sl & hl
grades offered: 11-12
credit: 1.0 for 1 year
2.0 for 2 years
description
students in this course will develop
a body of work which represents their individual research and development
of artistic expression. students will create works in various media
inspired by their own personal research. the structure of the course
is designed to provide students with the opportunities to develop
aesthetic, imaginative and creative facilities; stimulate and train
visual awareness, perception, and criticism of the arts of various
cultures; enable students to discover, develop, and enjoy means
of creative visual expression; encourage the pursuit of quality
through training, individual experiment, and persistent endeavour.
students will be given an opportunity to select from a variety of
visual media limited only by the resources available to the individual.
this course will prepare students for the international baccalaureate
standard level or higher Level art examination. the standard level
involves 150 hours to be completed in one school year with 30% Research
Workbooks and 70% dedicated toward studio work. at higher level,
240 hours are completed in two years with 30% research workbooks
and 70% studio practice.
examples
of student final senior show
examples
of junior work:design
examples
of junior work: painting
examples
of junior work:printing
examples
of junior work:sculpture
examples
of junior work:photography
topics
The course consists of two linked compulsory
parts with activities integrating work in the studio with workbook
research. The primary difference in the expectations of the Higher
and Standard Level is indicated by the difference in total teaching
times.
Candidates who have completed the Higher Level (HL), Standard Level
Option A (SLA), or Standard Level Options B (SLB) course will be
expected to demonstrate:
· Growth and commitment through the study of art
· An interrelationship between their research and their artistic
production.
Higher Level:
· Studio work (sketching, rendering pieces of art) –
168 hours
· Research Workbook (written art criticism, research work,
analysis) – 72 hours
Standard Level:
· Studio work (sketching, rendering pieces of art) –
105 hours
· Research Workbook (written art criticism, research work,
analysis) – 45 hoursCore elements common to each course include:
Introduction to art concepts, criticism, analysis:
o Visit exhibitions, discuss them, express the influence of the
exhibition on their work, their personal opinion about art
o Critic other artists’ work, make comparisons between different
artists or their art works (considering contextual references)
o Interview or study artists and come to their own conclusions
Acquisition of studio, technical, and media skills:
o Painting, drawing, rendering quick sketches and long term pieces
o Exploring different media
o Use of models for creating artwork
Relation of art to socio-cultural and historical contexts:
o The areas of research depend on the idea or the theme of the art
work which students choose and develop individually
o More than one culture is explored and represented in students’
work
reseach
workbooks
Students will be expected to:
o Demonstrate clearly in visual and written terms how personal research
has led to an understanding of the topics or concepts being investigated
o Analyze critically the meaning and aesthetic qualities of art
forms using an informed vocabulary
o Show some awareness of the cultural, historical and social dimensions
of themes in more than one cultural context
o Examine the visual and functional qualities of art from their
own and other cultures for meaning and significance
1-examples
of research workbooks
2-examples
of research workbooks
3-examples
of research workbooks
4-examples
of research workbooks
5-examples
of research workbooks
6-examples
of research workbooks
rearch
worksbook form
assessment
The assessment in Visual Arts consists
of an evaluation of both the finished products and the process of
artistic research and development. Throughout the one- or two-year
course, students are assessed on the quality of their research workbooks,
art criticism, and the quality and quantity of their pieces of art.
process portfolio
A process-portfolio contains student works
of varying quality that includes sketches, preliminary studies,
developmental studies, works in process, and a variety of finished
works. A journal, typically included as a companion to the portfolio,
contains focused written reflections/critiques of student works
by self and others (peers and teacher), notes on problems encountered
and their solution(s), diagrams/sketches of ideas, observations,
and insights gained through reflection. There is evidence of remediation
and/or modification of works based on reflections/critiques, and
additional student reflections on how
such comments and personal insights informed the direction of subsequent
works
Final Assessment:
Assessment Evaluated at PHS: 30%
· Research Workbooks
· Art criticism (can be represented as short essays)
· Reasonable amount of work
Assessment Evaluated by an IB Desginate: 70%
· The exhibition, which includes:
o Final art works, the quantity of which depends on the complexity
of the pieces, the scale of the pieces, media chosen, time constraints
of the level, the technical characteristics of the media and the
production process required
o Research work such as: sketches, notes, practices, photos taken
by student, etc.
o Selection and presentation of art works which reflect the student’s
art concept
o Exhibition space, which helps the student to represent the works
in a well-arranged show, equipped with special devices in case the
product needs it (video recorder for example)
· Discussion of Studio Work with the examiner
Performance Assessment: The Critique
Whether this form of assessment is administered
in writing or as a dialogue between the instructor and students,
amongst students, or with oneself, the criteria generally used as
the focus of the evaluation are the very same criteria that are
used in scoring. The following are the general categories used in
critiques:
· Use of Media
· Technical Qualities
· Formal Qualities
· Composition/Spatial Structure/Performance Elements
· Expressiveness/Imagination
· Execution/Presentation
Each of these categories is discussed either singularly or in a
composite way to provide the artist with meaningful, constructive
commentary concerning the developing or completed work. The criteria
that are used as the focus of discussion can be tailored to address
either individual or group needs, and are generally established
to address the objectives and expected outcomes of past, present,
or future instruction.
visiting
artist lectures
Provo High School is host to a series of after school artist
lectures that expose students to various perspectives, media and
issues related to the arts. There are twelve to sixteen lectures
each year where students interact with contemporary artists and
discuss issues important to art making.
sample
of past guest artists
links
ibo
website
other
ib school
ib art
gallery
ap
studio site with media links
course
calendar
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september
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january
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